This work is a study of line in a manner characteristic of phenomenology, using line to think through ideas about the part and the whole, or in an alternative context, transcendence and immanence. The work is formed in a circular, hermeneutic manner wherein each work is derived in some sense from the work prior to and in correspondence with it. Each of these works have their source in photographed intermittent visual noise. Mirroring, mirror hours, and reverse hours are concerns embedded in the work’s bearing.
Ulysses Gramophone
Ulysses Gramophone
Ulysses Gramophone
Ulysses Gramophone
Ulysses Gramophone