• Painting

Fiona Murray

the acid room

My practice utilises natural light and materialises it into an enclosed physical space through a series of interventions as well as sound from an outdoor location via live transmission. The intention is to mirror one another in two locations, inverting them. It focuses on bringing the non-physical into a physical space in an attempt to reconcile both and drawing the viewer’s ear and eye away from the space they are currently in. The audience interrupts the wavelengths of sound and light through movement as they internalise the natural light and sound from an external setting. The present moment poses a question to the perception of space they are positioned in. Slowly changing over the day, the climax of the piece will coincide with the sunset. The colours begin to change in the physical spaces bringing together a sense of resolution and reconciliation, denoting the end of another temporal structure.